Home

Music

Unless otherwise stated, content is my own copyrighted property. All rights reserved.


This page is about playing music, but not just any music. Music is much like 'Marmite', with one pile that is fantastic, and another pile that I just cannot stick. My 'Fantastic' pile contains Johann Sebastian Bach's Brandenburgh Concertos, Georg Friedrich Handel's Water Music, the early Beatles hits. My 'Cannot Stick' pile includes all opera, Kareoke singers, Trad Jazz, Frank Sinatra, Mick Jagger, Spice Girls, Madonna, and more. And why do people rave over ABBA? They were merely tolerable, and not quite as bad as some of the other crap that was out at the time.

In the early 1960's, the Beatles hits were the coolest thing on the radio, but their later efforts were not always as good, because they no longer had to try. Their track 'Number 9' was total garbage. My attention turned to Sweet, for my teenage years, and I desparately needed to play the guitar like Andy Scott. Sadly, I never saw Sweet play live. Bands I have seen live include: Steve Hillage with Gong, Gentle Giant, Caravan, Santana, John Miles, TNT, T.Rex, Mud, Glitterband, Hawkwind, The Sensational Alex Harvey Band, Marillion, Roman Holiday, and The Associates. I could hear a muffled Slade from my college room, playing in the university sports hall. Not least of all, I enjoyed the many gigs by Volcanic Rabbits, at Kent University. I was fortunate enough to see the drummer Thomas Lang play, when his 2003 drum clinic tour came to Poole.

Most classical music is timeless, and just as good now as when it was composed, or as bad of course, since some wanna-be classical composers just regurgitate what they've heard, and don't do it well. Pop music though, dates very quickly. Bing Crosby songs are now old-fashioned garbage, only of interest to dead people.

Don't get me wrong, I have an open mind. I look forward to being blown away by something new. This category would include 'Switched-On Bach' by Wendy Carlos, and Landscape's 'From The Tea Rooms Of Mars To The Hell Holes Of Uranus'. The album 'Next of Kihn' by Greg Kihn, was great, and every track was good, especially 'Chinatown'. I can even appreciate Death-Metal, in small doses.

What's here though, for copyright reasons, is either classical, or my own rubbish. It is all Work-In-Progress, so I will overwrite things if I can make recordings with fewer mistakes.


Any fool can sing

Classical
Minuet by Johann Krieger.wav

Mauro Giuliani Allegretto.wav

J.S.Bach Invention 13.wav

Played by Mark and Raymond (Arrangement for 2 guitars by Anton Höger)



My own rubbish

Feel Fine.wav

Wrote this little song when I was 15.

Extracted.wav

Taken from a longer 38 min track.

Fence Panel Boogie.wav

Ah, the fence panels.

Her Eyes Are Blue.wav

The correct colour for eyes.

Keynes College Blues.wav

Background: Written 1980, end of first term at Keynes College, University of Kent, Canterbury (UKC). Mr Niblett was a very nice quietly spoken lecturer. The college has a large duck pond outside the junior common room.

Chicken Song.wav

Background: Written 1980. It is about standing in the long Keynes College dinner queue. Menu was 'chicken this', 'chicken that', and attractive young dinner lady.

Lazing In Pool.wav

Simple guitar chord sequence, with slow lead guitar, bass guitar, and drums.

Acoustic Trip.wav

Steel acoustic guitar + steel 12-string acoustic guitar + steel acoustic bass guitar + laptop congas.

Sunrise.wav

An improvised piano piece, roughly centered on a repeating four chord sequence.

Sunset.wav

A piano composition. The notes are not random, but are chosen to be unexpected.

Yellow1.wav

Just checking out the Yellow Sledge 2.

Harley Sunset.wav

Sunset over custom Harley Davidson.


Let there be drums...


The guitar I made as a youngster

I made this guitar in 1976 at Brockenhurst 6th form college. I attended the college from 1975 to 1977. One of my art teachers, Mr Watkins, made guitars in his spare time, so he ran a guitar making recreational course at the college. It was fairly popular with guitar-mad teenagers like me, and around a dozen lads joined the course. All the woodwork was done from first principles.

We all made solid bodied electric guitars, because they are easier than acoustic guitars. The fretboard was made from a lovely dark piece of ebony, and the neck has a curved steel truss-rod inside it, which I fabricated. I spent a lot of time working on the neck, and it was pretty good. Unfortunately I have no pictures of the rear of the neck. Everyone else started work on their bodies before me, and were rather generous in their use of the mahogany planks that were bought. This left me with just enough to make only a stubby short body. I hadn't given much thought to the body shape, other than not wanting to just copy a Stratocaster or Les Paul, but possibilities were now constrained. Undaunted, I pondered on how I might make this work, and after much thought, hit upon this unusual design. You can just about see in the picture, the wide bevelling along the top and bottom of the body, suggesting sharp edges. If the remaining plank had been a bit longer, my guitar would have been some other shape.

I believe mine was the only guitar from the group to be completed, and able to be played. As work progressed, I had ideas for a MK2 version, including making the body thinner (It was thicker than a telecaster). I was more concerned with not leaving it unfinished, so toned down ambitious ideas. One thing I did regret, was discarding a few inches of surplus fretboard ebony, as I could have made it stick out of the other end of the body. Carving and sanding the cut-aways (by hand) was hard work, being end of grain.

I applied to join a course on making musical instruments, at the London College Of Furniture, which was THE place to study the subject. There were only a few places available there, with stiff competition, and I was invited for an interview in early 1977. On the day, there was some snow on the ground, and whisps of snow in the air, which was a little worrying. I was required to take an example of my work, so I took this guitar to the interview. Waiting at the interview, I met a couple of other candidates, one of whom was a much older 24 year old, and he took a beautifully made guitar, with intricate inlays. By comparison, mine was crude, and embarrassingly, the strings were held behind the bridge, by a sawn off section of aluminium curtain rail (which you can see at an angle in the picture), as I was just a lad and had no money. They told us it was the London College Of Furniture's policy to photograph items brought to interviews, and I wonder if that photograph still exists. Unfortunately for the world, I was not offered a place at the college. I kept the guitar for decades, but as my home was drowning under junk, I had a massive clearout, and threw out the guitar.



A touch of authenticity


Recording in a tight space


THE BAD BOYS OF ROCK

Damn Young

Maximus Whackus




I said they were bad, and I meant it. Every mega-rock band has to start somewhere, and these guys started in my basement. (Actually, I don't have a basement, more's the pity.) The band was originally called 'The Latrines', but due to some outfit in Oregon, that name became tainted. They felt that 'Slackknicker' was much more them, anyway. Plus Max had to change his name from Max Wakka because of some pokemon character. Between that and trashing hotel rooms they have been pretty busy.



Alright, I'll come clean. It is just me wearing two stupid wigs. But it has a serious point. The project is all about me recording one instrument at a time, but with the result sounding like a live rock band.



Slackknicker Tracks:
Jamming1.wav

The boys' first jamming session. Pretty much all over the place. Get it together Max!

Slack1.wav

The latency is looking better, and with some simple, but fairly tight drumming from Max

Wacken1.wav

The boys are getting into it now.

five-sixteen.wav

Damn Young got his Wah pedal out.

Raunch1.wav

Things are taking shape.